BienalSUR 2021, Kimsooja Buenos Aires: Chapter 1 - The Encounter with the Other, Buenos Aires, Argentina
The BIENALSUR project Kimsooja Buenos Aires features exhibitions of the Korean artist in different parts of the city: MUNTREF Centro de Arte Contemporaneo, Venue Hotel de Inmigrantes, Museo Nacional de Bellas Artes and Centro Cultural Coreano.
10 September - 23 December 2021
For more information, click HERE


Curatorship: BIENALSUR, Diana B. Wechsler (ARG)


With the support of Ministry of Culture, Sports & Tourism of Korea, Korea Arts Management Service, and the grant program Fund for Korean Art Abroad.


Buenos Aires, the capital of Argentina and host city of BIENAL SUR, is a multicultural metropolis that has embraced immigrant populations from Europe, Africa and Asia throughout significant historical incidents including Spanish colonization, World Wars I and II and the Algerian War. Kimsooja installs several works around the city’s harbor, a place where immigrants to Buenos Aires first came ashore, revealing a new symbolic significance as they transpose the meaning of migration from the artist’s personal realm into one of universal empathy. Bottari Truck – Migrateures (2008) symbolically portrays the journey of an immigrant in Paris by wrapping and unwrapping a bottari (bundle) before departing; the concept of movement associated with bottari is visualized in the form of a container in recent works Bottari: 1999-2019 and its extended five-color (Obangsaek) container Bottari (2021) and a documentary film series, Thread Routes (2010-2019), poetically considers the universality of human culture as it merges natural landscapes with traditional textile cultures around the world. Kimsooja’s works actively engage with spaces that symbolize the city’s diversity and history of immigration, opening new possibilities for individuals of different backgrounds to coexist.


The National University of Tres de Febero’s Museum of Immigration (MUNTREF), which was built to commemorate the arrivals of immigrants from Europe, Asia, Africa and Latin America in the late 19th century, features Bottari:2021 on its façade, while A Needle Woman (2005) appears inside. Archive of Mind, a participatory installation of dry clay balls set on a large elliptical table, invites audiences to join in a contemplative communal performance by holding the clay balls in their hands and rolling them across the table while listening to the sound of Kimsooja's murmuring voice in Unfolding Spheres (2016). As both discrete individuals and a collective community, the audience shares the materiality of the clay as well as the inner aesthetic journey of clearing one’s mind. The group of uniquely shaped clay balls are produced as the axes of encounters among numerous sets of intersecting hands and signify the meetings of all beings scattered throughout the cosmos, who coexist through connected relations. In To Breathe (2021), installed at the crosswalk that traverses the museum building from east and to west, one can metaphorically yet viscerally experience the artist’s dematerialized artworld of “non-doing, non-making” light painting, where visitors’ breath and refractions of light are transformed through diffraction grating film that illuminates the space with a rainbow light spectrum.


New works presented at MUNTREF are also noteworthy, including new iterations of the artist’s representative bottari, which represent the movements and border crossings that envelop the world’s diversity, as well as To Breathe: the flags (2012), whereby local residents’ old clothes are wrapped in colorful fabrics of Obangsaek tones that are commonly found in everyday Argentine life and made into minimal bottari, thus connecting with and embracing multiple social contexts. Thread Routes (2010-2019) further conveys Kimsooja's perspective toward the links that connect global textile cultures, architecture, nature and handcrafts, allowing viewers to experience the visual connections between dyeing, embroidery, weaving, lacework, tile and pottery practices.

BienalSUR 2021, Kimsooja Buenos Aires: Chapter 2 - Nomad, Buenos Aires, Argentina
The BIENALSUR project Kimsooja Buenos Aires features exhibitions of the Korean artist in different parts of the city: Museo Nacional de Bellas Artes (MNBA)
16 September - 21 Nobember 2021
For more information, click HERE


Curatorship: BIENALSUR, Diana B. Wechsler (ARG)


With the support of Ministry of Culture, Sports & Tourism of Korea, Korea Arts Management Service, and the grant program Fund for Korean Art Abroad.


The artist's Deductive Object series installed at the Museo Nacional de Bellas Artes suggests a new aesthetics of the readymade by loading carts with bottari made out of laundry bags, supplemented by A Needle Woman [Paris, 2009] and lightbox photos of the bottari series. Installed in the mirror room of the Museo Nacional de Arte Decorativo is To Breathe, a large mirror installation on the floor is paired with sound from The Weaving Factory (2004);

BienalSUR 2021, Kimsooja Buenos Aires: Chapter 3 - An Inner Experience, Buenos Aires, Argentina, Centro Cultural Coreano en Argentina
The BIENALSUR project Kimsooja Buenos Aires features exhibitions of the Korean artist in different parts of the city: Museo Nacional de Bellas Artes (MNBA)
21 September - 21 October 2021
For more information, click HERE


Curatorship: BIENALSUR, Diana B. Wechsler (ARG)


With the support of Ministry of Culture, Sports & Tourism of Korea, Korea Arts Management Service, and the grant program Fund for Korean Art Abroad.


The Korean Cultural Center presents Deductive Object, an Obangsaek carpet work, and Mandala: Zone of Zero; and the historical Margarita Xirgu Theatre screens To Breathe - Invisible Mirror, Invisible Needle (2005). By encountering Kimsooja’s works at culturally significant locations throughout Buenos Aires, audiences are encouraged to reflect on issues of migration and transit in the age of globalization, thereby constructing a visual platform of harmony and solidarity. This project marks the artist’s first large-scale exhibition in Latin America since 1997, when she participated in the Bienal de São Paulo with Cities on the Move - 11163 miles Bottari Truck.