Loading
Kimsooja Studio, Seoul
The Meta-Painting series explores the fundamental principles of painting and its origins. It began in 2020 at the Wanås Konst Sculpture Park in Sweden, where Kimsooja produced linen spun from flax that she had planted, cultivated, and harvested. It was later woven into a canvas surface as a form of painting that need not be painted. The project reconstructs painting as a life-generating cycle, and the unpainted canvas investigates the conceptual relationship between painting, agriculture, and textiles.
The black Meta-Paintings conceptualize and bring to reality the absence of light and surface. They take form as both a flat and a wrapped surface, continuing the formalistic trajectory of Kimsooja’s folded and unfolded Bottari. While the depth of black color absorbs nearly all light and shadow, its surface resists our discernment. The piece points toward painting as a place of not knowing, a site of vulnerability, and a moment of beginning.
As a counterpart to the Meta-Painting series, To Breathe is a site-specific installation that prismatically diffracts natural sunlight into radiating spectral bands, or concentric double-axis brushstrokes of vertical and horizontal colors. The displacement of lightwaves guides the eyes back and forth across the threshold of architecture, effectively turning the act of gazing into a form of weaving the surface.
Photo by Shim Kyuho
(Left to Right:)
1 Kimsooja, Meta-Painting, 2024, Black paint on glass, 160x112cm
2 Kimsooja, To Breathe, 2024, Site-specific installation with diffraction grating film, Dimensions variable
3 Kimsooja, Meta-Painting, 2024, Black paint on linen canvas, 162.2x112.1x6cm
4 Kimsooja, Meta-Painting, 2024, Black paint on linen canvas, 53x40.9x4cm
5 Kimsooja, Meta-Painting, 2024, Black paint on linen canvas, 53x40.9x4cm
6 Kimsooja, Meta-Painting, 2024, Black paint on linen canvas, 90.9x65.1x4cm
7 Kimsooja, Meta-Painting, 2024, Black paint on linen canvas, 116.8x80.3cm
8 Kimsooja, Meta-Painting, 2024, Black paint on glass, 116.7x80.3cm
9 Kimsooja, Sewing into Darkness, 2023, Archival pigment print, 59x74cm each
10 Kimsooja, Topology of Time, 2016, Giclée (Inkjet) Print, Print: 170.5x114.1cm, Image: 147.9x91.4cm
Every Island is a Mountain, Palazzo Malta – Ordine di Malta, Venice, Italy
19 April to 8 September 2024
For more information, click HERE
Photo by Hyunjung Kwon
(Left to Right:)
A Needle Woman – Jaoseon, 2023, Archival pigment print on paper, 75 × 100 cm. Courtesy of the artist. Photograph by Sergio López
Deductive Object – Bottari, 2023, Archival pigment print on paper, 75 × 100 cm. Courtesy of the artist. Photograph by Sergio López
A Needle Woman – Jaoseon, 2023, Archival pigment print on paper, 75 × 100 cm. Courtesy of the artist. Photograph by Sergio López
Geometry of Fire –Jaoseon, 2023, Archival pigment print on paper, 75 × 100 cm. Courtesy of the artist. Photograph by Sergio López
A Needle Woman – Jaoseon, 2023, Archival pigment print on paper, 75 × 100 cm. Courtesy of the artist. Photograph by Sergio López
Bottari – a couple, 2020, Used clothing, cloth, 60 × 60 × 50(h) cm.
Aga Khan Museum, Toronto, Canada
13 July, 2024 – 21 April, 2025
For more information, click HERE
Photo by Toni Hafkenscheid
To Breathe, Site specific installation consisting of diffraction grating film and mirror floor panels, size variable
Installation view at Light: Visionary Perspectives, Aga Khan Museum, Toronto, Canada
Kimsooja, To Breathe - Archive of Prototype, Axel Vervoordt, Patio Gallery
16 March to 31 August 2024
For more information click HERE.
Photo by Jan Liégeois
(Left to Right:)
01 - 05 To Breathe – Archive of Prototype, 2019-2023, Traditional stained glass and dichroic glass, Set of 3, each 80 x 50cm, Courtesy of Axel Vervoordt Gallery and Kimsooja Studio
06 Meta-Painting, 2019-2023, Nanopolymer glass, Black lead paint, Lead, each 17.5 x 17.5 x 0.5cm
Kimsooja, To Breathe – Constellation, Bourse de Commerce – Pinault Collection, Paris
20 March to 2 September 2024
For more information click HERE.
Directrice générale / Executive Director: Emma Lavigne
Responsable des expositions: Charles Halperin
© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
Photo by Florent Michel/11h45/Pinault Collection.
© Kimsooja/ADAGP, Paris, 2024.
(Left to Right:)
01 - 02 To Breathe – Constellation, 2024, Site-specific installation with mirror panels, Courtesy of Bourse de Commerce – Pinault Collection, Axel Vervoordt Gallery, Galerie Tschudi and Kimsooja Studio
03 Geometry of Body, 2013/2024, Archival pigment print on paper, Courtesy Axel Vervoordt Gallery, Anvers/Hong Kong and Kimsooja Studio
04 Deductive Object, 2016, Plaster casting of the artist's arms, Courtesy of KEWENIG, Berlin and Kimsooja Studio
05 Deductive Object: (Un)fold, 2023, Korean rice paper, Courtesy of Kimsooja Studio
06 Deductive Object – Bottari, 2023, Bisque porcelain, Courtesy of KEWENIG, Berlin; Staatliche Museen zu Berlin; Museum für Asiatische Kunst Berlin; Staatliche Porzellan-Manufaktur Meissen, Germany and Kimsooja Studio
07 (Left) Sewing Into Walking - Kyungju, 1994, Single Channel Video, 19:40 loop, Silent, Courtesy of Kimsooja Studio,
(Right) Five Bottari Installation, 2017, Used Korean Bedcovers, Used Clothing, Variable, Courtesy of Kimsooja Studio
08 Five Bottari Installation, 2017, Used Korean Bedcovers, Used Clothing, Variable, Courtesy of Kimsooja Studio
09 A Needle Woman – Tokyo, Shanghai, Delhi, New York, 1999‑2000, 4 Channel Video, 6:33 loop, Silent, Courtesy of Kimsooja Studio